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See
Music copying for
explanation of terms.
I am an experienced music
transcriber, copyist, engraver and producer.
I
was trained in London. I work for internationally acclaimed
composers in the UK and the US, the BBC, independent television companies
in the U.K., the Sydney Opera House and others.
I worked for Trinity College London as Publications
Editor, transcribing and producing all their examination music for piano, violin
and guitar. Also,
music copyright research, music publishing, music licensing and clearance in the
UK, the US and worldwide.
The American Federation of
Musicians on seeing my work stated: “it is our advisory opinion that the
evidence presented clearly establishes that Alison Pryce is a copyist of
extraordinary ability, which has been demonstrated by sustained
international acclaim.”
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Music
transcriptions.
Would you like your
music
that you have recorded or written
to be professionally transcribed;
ready to be printed, copyrighted and
published?
I can listen to your recording on a CD, tape or MP3 and
write it, exactly as it was recorded, or work from your manuscript. Then I will
deliver it to you, either by mail or by email in a .pdf file,
(requires Adobe
Reader) so that it can be printed
and performed. I can usually get the music back to you within 2 business days.
Music transcriptions, copying, orchestrating and arrangements can be sent
anywhere in the world.
Fast, competent work and competitive rates.
For your convenience I gladly accept
as well as a check or money order.
Alison Pryce
P.O. Box 192
Kingsland
Texas 78639
Phone: 512 968 4911
Contact Alison
On the right is a list of music scores for you to see and hear.
If you can't see the music, you need the Scorch viewer from Sibelius.
It is very easy to download their 'plug-in', and takes about 3 minutes.
It's worth it! You will then be able to see and hear all Sibelius files on the
Web.
Click the 'play' arrow to start playing the music.
Please note that scores print out better than they look on monitors!
In 1971, Ms. Pryce made a historic achievement by becoming the first
female member of the Royal Philharmonic Orchestra, thus paving the way for
sweeping changes in orchestras across Europe as they began to appoint
women for the first time. Following this landmark accomplishment, Ms.
Pryce received numerous distinguished appointments with many world-class
orchestras, including the English Sinfonia (Principal bass), English
National Orchestra (Sub-principal bass), Welsh National Opera Orchestra,
BBC Scottish Symphony, Festival Ballet, Liverpool Philharmonic, and the
Bejart Ballet. In these and other ensembles, Ms. Pryce has played under
the direction of some of the greatest musicians of the twentieth century,
such as Pierre Boulez, Rudolph Kempe, Reginald Goodall, Sir Colin Davis,
Mark Elder, Sir Andrew Davis, James Lockhart, James Levine and Sir Charles
Groves. It is this extensive experience as an "A-list" world-class
performer that gives Ms. Pryce the ability to notate and prepare
sophisticated musical scores not only with an impeccable eye for every
musical detail, but with an extraordinary breadth of understanding that is
unique among music copyists, arrangers, orchestrators and notators.
It has been a great honor to have the opportunity to work with Ms. Pryce
on a number of projects over the past two years. I can confirm that she is a
world-class expert and that her skills as a music notation expert are truly
extraordinary.
JULIAN REVIE January 2006
www.julianrevie.com |
See
Music copying for
explanation of terms.
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| During the past year, Alison Pryce has
copied two of my compositions for large chamber ensemble. Each of the pieces
involves a mixture of traditional metric notation and a relatively
unorthodox use of brackets, boxes, arrows, graphic patterns, noteheads
without stems and stems without pitches. Ms. Pryce handled all of this with
great accuracy, timeliness, patience and humor. She understands the musical
implications of my notational requests, and on a number of occasions pointed
out inconsistencies I had overlooked or suggestions (very wise ones!) for
re-notating certain passages. It was a joy to work with her, and I hope I'll
have the opportunity to engage her services again.
ELLIOTT SCHWARTZ October 2007
www.schwartzmusic.com
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Example music for you to see
in a .pdf file.
Extract from Chamber Concerto VI: Mr Jefferson
by Elliott Schwartz
Penillion
Ist.
Movement from Sonata by Corelli
In
the Shadow of Your Wings by Julian Revie
Poème
Symphonique for the White Queen
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Music Transcriptions